The choreographer [Olivia Anselmo] is, to put it mildly, a couple of generations younger than me, so some of the steps, I could only stand there and look and say, “It looks fantastic. I have no idea how you do that.” So we took it down a little notch, and I added a beer in the hand for some of the steps, so the man had an excuse to stop dancing and then gradually he would lose the beer, and just lose himself as well. That was a nice approach, and she was wonderful to work with. It’s interesting—it’s been 30 years [since I was a dancer], and within those 30 years, so much has happened in that world. They look as if they’re flying, they’re floating. And I was like, “Yeah, great. Let’s add 30 years on that and see what will happen.”
- Mads Mikkelsen on the dance sequence in Another Round (2020)
(via sympathyforthecannibal)
“I asked all the talent to cover one eye for their portrait – a simple way to create a sense of togetherness and unity between nominees scattered across the globe.” — Greg Williams on his nominee portrait series for BAFTA
Demonic Explorations by Billelis 💀
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Illustration from Ripley’s Believe it or Not Omnibus: Pranks of Nature. 1929.
(via disgustinggirl)
